Shelly finds it foolish, but I've often wished quality of writing
had an effect on gravitational force between a book and the Earth.
Roald Dahl's skinny paperbacks would take both hands to lift.
Tolkien, Dickens, and Hugo would be stuck at a reading table or moved
with a crane. On the other hand, a certain science-fiction novel would float away to
clutter up Earth orbit along with erotica and most children's books.
There is nothing like great writing, and this one was nothing
like great writing. The book was a train wreck from which I couldn't
turn away because it was the work of an established professional. I
lost track of the bland, generic plot as the dialog and actions of
the characters competed to one-down each other.
Later, after the memory was replaced by
better stories, I was itching to fulfill a childhood espionage
fantasy of hollowing out a really big book. What I'd done in middle
school was passable, but if I was going to try again, I wanted KGB or
National Treasure quality. Hoping for some photos and an idea
or two for my literary hidey-hole, I found the website of Heather
Rivers. She provided a humorously narrated peek into an artistic,
well-practiced, type-A personality approach. Looking for a scribbled
checklist on lined paper, I'd found a great read, all the more
enjoyable for the serendipity.
And I knew just the book for the
project. In a box for the thrift store, I saw it. My full-body
shudder of recollected revulsion gave way to an angelic choir upon my
ears and celestial illumination twinkling around the dust jacket.
Invasive Procedures, by Orson
Scott Card and Aaron Johnston.
Normally, I would do this name-free. I
prefer to praise publicly and critique quietly. But Card can take it,
and I really hated this book for which I'd paid a new hardcover price
and expected to love. Look at the reviews on Amazon.com if you think
I'm being harsh. Besides, my plug for the rest of his stuff is thumbs
way up and I'm waiting geek-fan style for Ender's Game movie tickets.
I gathered my implements of
art/torture, and Ms. Rivers instructed:
“Take a minute and appreciate the
book you're about to totally destroy. Go on, feel a little guilty.
Remind yourself that true art is ephemeral and move on.”
Appreciate, check.
Remind, check.
Guilt, check. Guilt because I hadn't done
this before reading the book.
The outside.
This first photo was taken after the
job was complete. My wish for a correlation between physical mass and
literary quality took a step toward fulfillment. It's strange to heft
a book that's a third it's expected weight, but still solid and
inflexible.
The inside.
See all the great book titles on the
left page? See the cool title page design on the right? That's the
place to stop reading this book.
Along the bottom edge, a gap is visible
a few pages down. That's where the loose preface pages end and the
bibliocrypt begins. Wanna see it?
Ah. That's better!
Heather's instructions at this stage of
fabrication:
“Apply an unholy amount of glue to
the inside of the book, and to the ½" border of the first page.
Really, go nuts! If it doesn't look like a six year old was
responsible when you're done, you screwed up.”
The clean lines of the excised portions
were very pleasing to me, especially compared with my previous
attempts as a kid. Some waviness is seen at the interior north wall
and the bottom of the right page. My glue mixture was too thin.
Don't think for a moment the
synergistic irony of making this book useful, my editing of it, and
the title were unnoticed or un-relished.
The only advice I'd add to Heather's is
this: Don't use a scalpel with a plastic handle. They aren't designed
to take the necessary force. My project almost got gory, and
blood-spattered books don't blend well in most bookshelves.
The parting words of Ms. Rivers:
“This excessively photographic
guide to hollowing out a book is brought to you by Heather
Rivers, who begs forgiveness for her sins against bookdom and
would offer to the appalled that her book-lovin' karma is still in
great shape after having spent two years of college working in a
rare book preservation lab preserving priceless treasures that
they might continue to be celebrated by book fetishists like you for
many years to come.”
Thank Heather by visiting her site.
http://rive.rs/projects/how-to-hollow-out-a-book
Tell her Derick sent you. She'll have
no idea who you're talking about.
I'll be camping out in line for the Ender movies too, but I agree, this particular OSC was a prime candidate for reinvention.
ReplyDeleteYou did a beautiful job (my first attempt was far sloppier). Keep up the good work!